A couple of random notes to start the week:
World Cup fever has taken over the better part of Cruise Ship X. (And unlike last time, you don't have to stay up until 4am to watch them) And I admit to being sucked in a bit- I'm in an office pool and everything. I'm clueless as to just about anything- I think Brazil is going to win because, well, everyone seems to think Brazil is going to win.
Happening alongside it stateside is, of course the NBA Finals. Wouldn't it be something if the best player in the NBA finals in the US is a German (Nowitzki, doing his best Larry Bird impression lately), while in Germany the US advances past the Germans in the World Cup. It's a very real possibility.
I have now topped 100 "friends" on MySpace. Thank you for your support; I don't quite know how to feel about it. That saud, new (or previously unheard, at least) music soon, I promise.
Yesterday I was listening to Wayne Shorter's most recent "Beyond the Sound Barrier" for the first time in a while. It's a mind-blowing record, even on the twentieth listen. It made me think, what exactly makes a song (or "song form) a song. For instance, "Joy Ryder" is stretched so far from the original recording twenty-some years ago as to be a different piece alltogether. I remember an interview with Miles in the '80s where he talked about a set list as a menu, a suggested starting place that you shouldn't take too literally. I never completely bought it with that Miles band, because so much was so preset (it seems more true in the second great quintet), but Wayne's band, and also bandmate Danielo Perez's current trio, seem to be taking that idea to it's further points.